If nothing else, this year’s list confirms that we at Screen Machine are big Jesse Eisenberg fans (but then who isn’t?). It perhaps shows other continuities from our 2009 list, indicating some of the approaches and prejudices we have as film critics and spectators. We hope that the pieces we’ve written on each of the twenty films that appear here are of greater use and interest to readers than the mock-suspense of learning what finishes in which position. Returning to these films now allows us to say things about them that we couldn’t when they first appeared, and we think that these reflective pieces on the films of 2010 will offer plenty to discuss as we begin the new year.
Sam checks out two films from this year’s Japanese Film Festival, currently running at ACMI.
Sam wonders whether Scott Pilgrim Vs. The World really does offend her feminist sensibilities as much as critics say it should.