Uncategorized: lola1
Conall Cash is co-editor of Screen Machine, a member of the editorial board for the journal Colloquy, and a student at Monash University. His essay "Picturing Memory, Puncturing Vision: Nabokov's Pale Fire" was published in the Academic Studies Press volume, The Goalkeeper: The Nabokov Almanac, in 2010. His film criticism has also been published in Senses of Cinema, The Hollywood Reporter and on the FIPRESCI website.
