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	<title>Comments on: The moralising of &#8220;The Imaginarium of Doctor Parnassus&#8221;</title>
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	<link>http://www.screenmachine.tv/2009/11/24/the-moralising-of-doctor-parnassus/</link>
	<description>Long live the new flesh</description>
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		<title>By: Eloise Ross</title>
		<link>http://www.screenmachine.tv/2009/11/24/the-moralising-of-doctor-parnassus/comment-page-1/#comment-443</link>
		<dc:creator>Eloise Ross</dc:creator>
		<pubDate>Tue, 24 Nov 2009 15:08:19 +0000</pubDate>
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		<description>I knew there was a reason I didn&#039;t like it, and conservative moralising I think is it. I disagree a little about the visual style though  - although I can see where his idea for mise-en-scene comes from, the opening of the film felt to me a little too much like an episode of a bad British crime television show. It picked up - but I could never get over that first tinge of tackiness.

Also, Johnny Depp&#039;s segment should have been much longer.</description>
		<content:encoded><![CDATA[<p>I knew there was a reason I didn&#8217;t like it, and conservative moralising I think is it. I disagree a little about the visual style though  &#8211; although I can see where his idea for mise-en-scene comes from, the opening of the film felt to me a little too much like an episode of a bad British crime television show. It picked up &#8211; but I could never get over that first tinge of tackiness.</p>
<p>Also, Johnny Depp&#8217;s segment should have been much longer.</p>
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		<title>By: Brad Nguyen</title>
		<link>http://www.screenmachine.tv/2009/11/24/the-moralising-of-doctor-parnassus/comment-page-1/#comment-442</link>
		<dc:creator>Brad Nguyen</dc:creator>
		<pubDate>Tue, 24 Nov 2009 12:37:50 +0000</pubDate>
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		<description>I completely agree. Stories are overrated.

I have no idea how profitable Gilliam&#039;s films are. I suppose not very since it&#039;s always a struggle for him to get a film up. He should try the &quot;one for them, one for me&quot; model of Steven Soderbergh.</description>
		<content:encoded><![CDATA[<p>I completely agree. Stories are overrated.</p>
<p>I have no idea how profitable Gilliam&#8217;s films are. I suppose not very since it&#8217;s always a struggle for him to get a film up. He should try the &#8220;one for them, one for me&#8221; model of Steven Soderbergh.</p>
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		<title>By: isaac</title>
		<link>http://www.screenmachine.tv/2009/11/24/the-moralising-of-doctor-parnassus/comment-page-1/#comment-441</link>
		<dc:creator>isaac</dc:creator>
		<pubDate>Tue, 24 Nov 2009 11:38:57 +0000</pubDate>
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		<description>I completely agree. Watched Brazil for the first time a couple of nights ago and was blown away by the brilliant use of industrial design as comedy (tubing!). I think that&#039;s why I love Gilliam&#039;s films so much (Adventures of Baron Munchhausen remains one of my favorites films ever). They&#039;re never about the story. The pacing is always way off, nothing really makes that much sense, but they&#039;re always such a glorious visual feast, which is often what I&#039;m looking for. Stories are nice, but I can live without them.

I have no idea how Gilliam is still getting any money to make films though. Have any of them been even remotely profitable?</description>
		<content:encoded><![CDATA[<p>I completely agree. Watched Brazil for the first time a couple of nights ago and was blown away by the brilliant use of industrial design as comedy (tubing!). I think that&#8217;s why I love Gilliam&#8217;s films so much (Adventures of Baron Munchhausen remains one of my favorites films ever). They&#8217;re never about the story. The pacing is always way off, nothing really makes that much sense, but they&#8217;re always such a glorious visual feast, which is often what I&#8217;m looking for. Stories are nice, but I can live without them.</p>
<p>I have no idea how Gilliam is still getting any money to make films though. Have any of them been even remotely profitable?</p>
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